{"id":632,"date":"2018-12-15T11:02:27","date_gmt":"2018-12-15T11:02:27","guid":{"rendered":"http:\/\/mieves.info\/?page_id=632"},"modified":"2026-06-22T00:21:04","modified_gmt":"2026-06-22T00:21:04","slug":"other-activities","status":"publish","type":"page","link":"https:\/\/mieves.info\/?page_id=632","title":{"rendered":"Other activities"},"content":{"rendered":"

Publications:<\/strong><\/p>\n

Book and Editions:<\/strong><\/p>\n

2018<\/strong> \u00a0\u00a0 Mieves, Christian (ed.) Journal of Visual Art Practice<\/em>, 17(2-3),[Special Issue: \u2018Erosion and Illegibility of Images\u2019]
\n<\/strong>(https:\/\/doi.org\/10.1080\/14702029.2018.1466455), 104 pp.<\/p>\n

\u00a0<\/strong>2017 \u00a0\u00a0 <\/strong>Mieves Christian and Irene Brown (eds) Wonder in Contemporary Artistic Practice.<\/em> London and New York: Routledge (ISBN: 9781138855816 (Hardback), 9781315720098 (Ebook)), 308 pp.<\/p>\n

2010 <\/strong>\u00a0\u00a0 Mieves, Christian and Philippe Cygan (eds), Journal of Visual Art Practice<\/em>, 9(3), [Special Issue: Revisiting the Beach] (ISSN 1470-2029), 99 pp.<\/p>\n

Chapters, Articles:<\/strong><\/p>\n

2023 \u00a0 <\/strong>Christian Mieves, \u2018\u201cWhen I Am Falling, I Am Doing All Right\u201d: The Role Of Doubt In Contemporary Painting Practice,\u2019 in Magnus Quaife, Donal Moloney (eds) Teaching Painting: Painting The New<\/i>. Cambridge\u00a0Scholars Press: Newcastle upon Tyne. (Forthcoming);<\/p>\n

2018\u00a0\u00a0\u00a0 <\/strong>Christian Mieves (2018) \u2018Erosion and Illegibility of Images: \u2018Beyond the Immediacy<\/p>\n

of the Present\u2019\u2019, Journal of Visual Art Practice<\/em>, 17(2-3), 135\u2013143 (doi.org\/ 10.1080\/14702029.2018.1466456).<\/p>\n

\u00a0<\/strong>2018<\/strong> \u00a0\u00a0 Christian Mieves (2018) \u2018\u2018\u2018It Doesn\u2019t Reveal Itself\u2019: Erosion and Collapse of the Image in Contemporary Visual Practice\u2019, Journal of Visual Art Practice<\/em>, 17(2-3), 206\u2013224 (doi.org\/10.1080\/14702029.2018.1466455).<\/p>\n

2018\u00a0\u00a0\u00a0 <\/strong>Christian Mieves (2018) \u2018\u201cTowards Understanding the Nature of History and its Limitations\u201d: An Interview with the American Artist David Schutter\u2019, Journal of Contemporary Painting<\/em>, 4(2), 285\u2013300, (doi: 10.1386\/jcp.4.2.285_1).<\/p>\n

2017\u00a0\u00a0\u00a0 <\/strong>Mieves, Christian (2017) \u2018From Nimbus Cloud to Cloud Canyon: Artistic Practice and the Idea of Wonder in Contemporary Art\u2019, in Mieves Christian and Irene Brown (eds) Wonder in Contemporary Artistic Practice.<\/em>London and New York: Routledge, pp 105-126. (ISBN: 9781138855816).<\/p>\n

2017<\/strong>\u00a0\u00a0\u00a0 Mieves, Christian and Maggie Ayliffe (2017), \u2018Dirty Practice: A Painting Workshop and the Hidden Curriculum\u2019 in Ian Hartshorne, Donal Moloney, Magnus Quaife (eds) Teaching Painting, <\/em>London: Black Dog. pp 52-57. (ISBN: 978-1911164104).<\/p>\n

2016\u00a0\u00a0\u00a0 <\/strong>Mieves, Christian and Nanette De Jong (2016) \u2018The Trope of Flattening and the Complexities of Difference: An Account of Trinidad Carnival,\u2019 Anthurium: A Caribbean Studies Journal <\/em>13(2), 1-26. (ISSN 1547-7150).<\/p>\n

2014\u00a0\u00a0\u00a0 <\/strong>Mieves, Christian (2014) \u2018Christian Mieves Interviews Dana Schutz\u2019, Turps Banana<\/em>, 14, 14-19. (ISSN: 1749-3994).<\/p>\n

2013\u00a0\u00a0\u00a0 <\/strong>Mieves, Christian (2013) \u2018Unfinished Bodies, Bodies at Work and Frank from Observation: Figure and Ground in the work of Dana Schutz.\u2019 European Journal of American Culture <\/em>32(1), 79-96. (ISSN: 17589118). DOI: 10.1386\/ejac.32.1.79_1.<\/p>\n

2013\u00a0\u00a0\u00a0 <\/strong>Mieves, Christian (2013) \u2018Distant Toys, Dissected Bodies and Reality TV: Luc Tuymans and Painting in the Age of Ritual and New Media\u2019, International Journal of Arts and Technology<\/em> 6(3), 297- 316. DOI: 10.1504\/IJART.2013.055396.<\/p>\n

2010 <\/strong>\u00a0\u00a0 Mieves, Christian (2010) \u2018Traces and Erosion: A Case Study of the Beach in Contemporary Art Making\u2019, Journal of<\/em> Visual Art Practice<\/em>, 9(3), 273-290
\n(ISSN1470-2029). DOI:10.1386\/jvap.9.3.273_1.<\/p>\n

\t\t\t\t\"Whole_group_2\"<\/p>\n

Dirty Practice\/ Studio Practice from Home<\/u><\/strong><\/h2>\n

4 Dec 2020, 12- 6 PM\u00a0\u00a0<\/strong><\/h2>\n

Short Residency and Symposium<\/p>\n

https:\/\/blogs.ncl.ac.uk\/faworkshops\/news\/<\/a><\/p>\n

 <\/p>\n

\t\t\t\t\"DP2019s\"<\/p>\n

Dirty Practice: Don\u2019t Wash your Hands!
\n<\/em><\/strong>Constructive Cross Contamination of the Arts and the Institution<\/em><\/strong><\/h2>\n

Short Residency and Symposium \/ Wolverhampton School of Art \/ 1-5 July 2019.<\/p>\n

 <\/p>\n

\t\t\t\t\"IMG_5540\"<\/p>\n

Art School Today: Who cares?<\/h2>\n

25 \u2013 29 June 2018, Wolverhampton School of Art<\/p>\n

Studio Residency:\u00a0Mon \u2013 Thursday\u00a025\u00a0\u2013 28\u00a0June 2018,
\nWolverhampton School of Art.<\/p>\n

\t\t\t\t\"1c2\"<\/p>\n

The Role of the Artist\u2019s Studio and the Exploration of Failure in Artistic Practices.<\/h2>\n

With Maggie Ayliffe
\nTues -Fri \u00a020-23 September 2016
\nFine Art, Wolverhampton School of Art, UK.<\/p>\n

 <\/p>\n

\t\t\t\t\"IMG_3512\"<\/p>\n

Erosion and Illegibility of Images
\nOne-day Symposium<\/h2>\n

Friday 31 Oct 2014<\/p>\n

Keynote:<\/p>\n

Speakers Maria Chevska
\nJane and Louise Wilson
\nIdris Khan<\/p>\n

 <\/p>\n

\t\t\t\t\"Screen<\/p>\n

Working Wonder Conference<\/h2>\n

Conference,
\nCo-organised with with Irene Brown
\n14 June 2013<\/p>\n

Newcastle University, UK<\/p>\n

\t\t\t\t\"a8\"<\/p>\n

Revisiting the Beach<\/h2>\n

Christian Mieves,\u00a0Philippe Cygan<\/p>\n

Conference
\n3 July 2009
\nNewcastle University<\/p>\n

 <\/p>\n

 <\/p>\n

https:\/\/www.tandfonline.com\/doi\/abs\/10.1386\/jvap.9.3.273_1<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

Publications: Book and Editions: 2018 \u00a0\u00a0 Mieves, Christian (ed.) Journal of Visual Art Practice, 17(2-3),[Special Issue: \u2018Erosion and Illegibility of Images\u2019] (https:\/\/doi.org\/10.1080\/14702029.2018.1466455), 104 pp. \u00a02017 \u00a0\u00a0 Mieves Christian and Irene Brown (eds) Wonder in Contemporary Artistic Practice. London and New York: Routledge (ISBN: 9781138855816 (Hardback), 9781315720098 (Ebook)), 308 pp. 2010 \u00a0\u00a0 Mieves, Christian and Philippe […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":5,"comment_status":"closed","ping_status":"closed","template":"page-templates\/full-width.php","meta":{"footnotes":""},"class_list":["post-632","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/mieves.info\/index.php?rest_route=\/wp\/v2\/pages\/632","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/mieves.info\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/mieves.info\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/mieves.info\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/mieves.info\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=632"}],"version-history":[{"count":15,"href":"https:\/\/mieves.info\/index.php?rest_route=\/wp\/v2\/pages\/632\/revisions"}],"predecessor-version":[{"id":1304,"href":"https:\/\/mieves.info\/index.php?rest_route=\/wp\/v2\/pages\/632\/revisions\/1304"}],"wp:attachment":[{"href":"https:\/\/mieves.info\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=632"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}