{"id":283,"date":"2017-09-10T20:43:34","date_gmt":"2017-09-10T20:43:34","guid":{"rendered":"http:\/\/mieves.info\/?page_id=283"},"modified":"2026-09-10T11:28:56","modified_gmt":"2026-09-10T11:28:56","slug":"copy","status":"publish","type":"page","link":"https:\/\/mieves.info\/?page_id=283","title":{"rendered":"News"},"content":{"rendered":"<p><a href=\"https:\/\/www.oceansapart.uk\" target=\"_blank\" rel=\"noopener noreferrer\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/mieves.info\/wp-content\/uploads\/2017\/09\/PainterWriter.jpg\" alt=\"\" width=\"1320\" height=\"1643\" \/><\/a><\/p>\n<h3><strong>PainterWriter<\/strong><\/h3>\n<p>Oceans Apart<br \/>\ncurated by Andrew Bracey and\u00a0Jenny Eden<\/p>\n<p>12\/09\/26- 3\/10\/26<\/p>\n<p>Private View\u00a011.09.26 6-8 PM<strong><br \/>\n<\/strong>24-26 King Street,\u00a0Greengate,\u00a0Salford,\u00a0M3 7DG<\/p>\n<p>\n<p><a href=\"https:\/\/forumcultura.de\/blogs\/museum-schlosspark-ausstellungen\/finissage-ueberall-ist-mitte\" target=\"_blank\" rel=\"noopener noreferrer\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/mieves.info\/wp-content\/uploads\/2017\/09\/Screenshot-2026-07-05-at-18.20-copy.jpg\" alt=\"\" width=\"829\" height=\"1048\" \/><\/a><\/p>\n<h3><strong>Finissage: 2026\u00a0<\/strong><b>\u00dcberall ist Mitte\u00a0<\/b><\/h3>\n<p>25 Juli 2026, 15-18 Uhr.<\/p>\n<p><strong>Ausstellung \/ Exhibition\u00a0Museum Schlosspark, Bad Kreuznach.<\/strong><\/p>\n<p>Museum Schlosspark,\u00a0Dessauerstra\u00dfe 49, 55545 Bad Kreuznach<\/p>\n<p><a href=\"https:\/\/forumcultura.de\/blogs\/museum-schlosspark-ausstellungen\/finissage-ueberall-ist-mitte\" target=\"_blank\" rel=\"noopener noreferrer\">More info<\/a><\/p>\n<p><p><a href=\"https:\/\/35blumen.org\" target=\"_blank\" rel=\"noopener noreferrer\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/mieves.info\/wp-content\/uploads\/2017\/09\/Blumen.jpg\" alt=\"\" width=\"1320\" height=\"1743\" \/><\/a><\/p>\n<h3><strong>The Gloaming Plane<\/strong><\/h3>\n<p>12.06-12.07.2026<\/p>\n<p><strong>35 Blumen, Krefeld, Germany\u00a0<\/strong><\/p>\n<p>Curated by Joshua Uvighara.<\/p>\n<p>Zum alten gr\u00fcnen Weg<br \/>\nDreik\u00f6nigenstra\u00dfe 161<br \/>\nKrefeld, Germany<\/p>\n<p><p><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/mieves.info\/wp-content\/uploads\/2017\/09\/Poster_Mieves1_2_web.jpg\" alt=\"\" width=\"400\" height=\"566\" \/><\/p>\n<h3><strong>2026\u00a0<\/strong><b>\u00dcberall ist Mitte\u00a0<\/b><\/h3>\n<p><strong>Ausstellung \/ Exhibition\u00a0Museum Schlosspark, Bad Kreuznach.<\/strong><\/p>\n<p>7.06.-26.07.2026 , Museum Schlosspark, Bad Kreuznach.<br \/>\nVernissage: Sonntag 7.06 2026, 14.30 , Museum Schlosspark, Bad Kreuznach<\/p>\n<p>Museum Schlosspark,\u00a0Dessauerstra\u00dfe 49, 55545 Bad Kreuznach<\/p>\n<p>mit einem K\u00fcnstlergespr\u00e4ch mit Christian Mieves,\u00a0\u00a0geleitet von Stefanie Schmeink (K\u00fcnstlerin und Vorst\u00e4ndin des BBK Rheinland-Pfalz).<\/p>\n<h1><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/mieves.info\/wp-content\/uploads\/2017\/09\/webpic2.jpg\" alt=\"\" width=\"400\" height=\"553\" \/><\/h1>\n<h1 style=\"font-weight: 400;\"><strong>Meshwork<\/strong><\/h1>\n<p style=\"font-weight: 400;\">Das Projekt untersucht das Spannungsfeld zwischen antiker Skulptur, zeitgen\u00f6ssischer Malerei und der Fragmentierung des menschlichen K\u00f6rpers. Ausgangspunkt sind r\u00f6mische Skulpturen sowie arch\u00e4ologische Funde, deren p\u00e4dagogische und kunsthistorische Bedeutung aufgegriffen und zugleich kritisch hinterfragt wird. Die Malerei steht dabei im Kontrast zur Monumentalit\u00e4t der Skulpturen, indem sie die Verg\u00e4nglichkeit betont und den Fokus auf Prozesse wie Erosion, Verlust und das Verschwinden von Spuren legt.<\/p>\n<p style=\"font-weight: 400;\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/mieves.info\/wp-content\/uploads\/2017\/09\/Logos.png\" alt=\"\" width=\"1692\" height=\"356\" \/><\/p>\n<p><a href=\"https:\/\/brinckmann-galeriebasel.ch\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/mieves.info\/wp-content\/uploads\/2017\/09\/Brickmann_2_web.jpg\" alt=\"\" width=\"500\" height=\"709\" \/><\/a><\/p>\n<h1>Zu\/Fall<\/h1>\n<p>Chris G\u00f6ttel und Christian Mieves<br \/>\n6. M\u00e4rz bis 24. April 2026<br \/>\nGalerie Anja Edith Brinckmann<br \/>\nNEUWEILERSTR. 11<br \/>\nCH &#8211; 4054 BASEL<\/p>\n<p>&nbsp;<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/mieves.info\/wp-content\/uploads\/2017\/09\/DSC8696-korrigiert-und-Licht-gesetzt.jpg\" alt=\"\" width=\"2362\" height=\"1456\" \/><\/p>\n<h1 style=\"font-weight: 400;\"><strong>The moon gives us light enough<\/strong><\/h1>\n<p style=\"font-weight: 400;\"><strong>Samstag 31 Januar 2026\u00a0<\/strong><strong>17.00 &#8211; 21.00<br \/>\n<\/strong>Projektraum M54, Basel, \u00a0Switzerland.<\/p>\n<p style=\"font-weight: 400;\"><strong>Vernissage<br \/>\n<\/strong>Samstag, 31 Januar 2026, 17.00 \u2013 21.00<br \/>\n<strong>Sonntagsap\u00e9ro<br \/>\n<\/strong>Sonntag, 1 Februar 2026, K\u00fcnstlergespr\u00e4ch mit Till Langschied, Basel<br \/>\n14-16 Uhr<\/p>\n<p style=\"font-weight: 400;\">Foto:\u00a0Axel Wierdemann<\/p>\n<p><a href=\"https:\/\/www.projektraum-m54.ch\" target=\"_blank\" rel=\"noopener noreferrer\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/mieves.info\/wp-content\/uploads\/2017\/09\/Postcard_Druck_back_s_web_3.jpg\" alt=\"\" width=\"900\" height=\"1277\" \/><\/a><\/p>\n<p><a href=\"https:\/\/www.projektraum-m54.ch\" target=\"_blank\" rel=\"noopener noreferrer\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/mieves.info\/wp-content\/uploads\/2017\/09\/Poster_large_s.jpg\" alt=\"\" width=\"2000\" height=\"2838\" \/><\/a><\/p>\n<p><a href=\"https:\/\/www.rheinland-pfalz-triennale.de\/kuenstlerinnen\/\" target=\"_blank\" rel=\"noopener noreferrer\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/mieves.info\/wp-content\/uploads\/2017\/09\/RPT.jpg\" alt=\"\" width=\"900\" height=\"504\" \/><\/a><\/p>\n<h1 style=\"font-weight: 400;\"><strong>Rheinland-Pfalz Triennale 2026<\/strong><\/h1>\n<p style=\"font-weight: 400;\">I am very excited to be selected amongst other amazing artists for the Rheinland-Pfalz Triennale 2026 in Trier, Germany. The Exhibition with a largescale installation will be from 24. April bis 31. Mai 2026. Please see link<a href=\"https:\/\/www.rheinland-pfalz-triennale.de\/die-triennale\/\" target=\"_blank\" rel=\"noopener noreferrer\"> for further information.<\/a><\/p>\n<p><iframe loading=\"lazy\" width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/6TjTptFZPY4?si=JCZAHJRECefbJnor\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<h1><strong>The Process of Making\/ Documentary, 2025 (Excerpt)<\/strong><\/h1>\n<p>It was a real pleasure to work with very talented filmmakers at Newcastle University and really valued the opportunity of spending time in the studio to speak about my painting practice.<\/p>\n<p>Here is a very short excerpt from a longer film. Thank you to Rory McDermid (Editing and Sound), Lena Juhe-Gutierrez (Cinematography), Maria Eversden Aguilar (Director) and Kyra McGregor (Producer).<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/mieves.info\/wp-content\/uploads\/2017\/09\/PHOTO-2025-04-10-20-07-15.jpg\" alt=\"\" width=\"1600\" height=\"1200\" \/><\/p>\n<h1 style=\"font-weight: 400;\"><strong>International Conference, Mexico\u00a0<\/strong><\/h1>\n<p style=\"font-weight: 400;\"><strong>\u2018Estado de excepci\u00f3n: artistas en tiempos de austeridad. Pr\u00e1ctica art\u00edstica, la excepci\u00f3n y la regla, y una educaci\u00f3n sin reglas.\u2019 <\/strong>In MAREJADA\u00a03er Congreso Internacional de Artes Visuales,\u00a0 Arte, trabajo y Comunidad, que se llevar\u00e1 a cabo los d\u00edas\u00a010 y 11 de abril de 2025, en Puerto Vallarta, Jalisco,\u00a0M\u00e9xico.(Invited Keynote).<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/mieves.info\/wp-content\/uploads\/2017\/09\/Screenshot-2024-11-10-at-22.33.03.png\" alt=\"\" width=\"935\" height=\"529\" \/><\/p>\n<h1><strong>Conference\u00a0<\/strong><\/h1>\n<p>CONFERENCIA MAGISTRAL Identidades colectivas: Pr\u00e1ctica e identidades art\u00edsticas colaborativas Ponente Dr. Christian Mieves Universidad de Newcastle, Reino Unido.\u00a0Congreso Internacional Ciudad, Arte y Entorno el 24 y 25 de octubre del presente en la ciudad de Xalapa, Veracruz, M\u00e9xico.<br \/>\n<a tabindex=\"0\" href=\"https:\/\/www.facebook.com\/watch\/100063705936681\/?__cft__[0]=AZX3wzn1EYe54jHEjRFPHfF9KHa98HZAn1DhOT2l4n8cyDBBMqzWBrVfous0sgvKMkQ7GUhAuNXYIS7vMBB2F7QvjT-s6_Yitp6xynDDpttDRUOJR7SZioT517dNUI-HGk1CvyS0cvzrEj804wnXa8Db1k0hek215SGN_hiT79USwA&amp;__tn__=F\">Facultad de Artes Pl\u00e1sticas UV<\/a><\/p>\n<section><\/section>\n<section><\/section>\n<p><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/mieves.info\/wp-content\/uploads\/2017\/09\/Screenshot-2024-06-03-at-23.12.31.png\" alt=\"\" width=\"744\" height=\"389\" \/><\/p>\n<h1><strong>Exhibition\u00a0<\/strong><\/h1>\n<h1>Kunstverein Mittelrhein, K\u00fcnstlerhaus Metternich, Koblenz. Germany, 7-23 June 2024.<\/h1>\n<p><section><\/section>\n<section><a href=\"http:\/\/www.km570.de\/Geplante.html\" target=\"_blank\" rel=\"noopener noreferrer\">More Info\u00a0<\/a><\/section>\n<p><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/mieves.info\/wp-content\/uploads\/2017\/09\/Tacoarte.jpg\" alt=\"\" width=\"828\" height=\"703\" \/><\/p>\n<h1>&#8216;Saludos desde el Toon!&#8217;<\/h1>\n<p><strong>Exhibition:\u00a0<\/strong>&#8216;Saludos desde el Toon!&#8217; (group show)Talleres de Arte Contempor\u00e1neo, Mexico City, MexicoMarch &#8211; May 2024.<\/p>\n<section><\/section>\n<section><a href=\"https:\/\/www.instagram.com\/tacoarte?igsh=ZTJrOWl2OWVja2xu\" target=\"_blank\" rel=\"noopener noreferrer\">More Info\u00a0<\/a><\/section>\n<p><iframe loading=\"lazy\" width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/zADDe_qRfvg?si=nyeFwc1zJFeEG5hU\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<h1>KON TAKT 23<\/h1>\n<section id=\"content\">Mainz, Germany<\/p>\n<p style=\"font-weight: 400;\">23- 24 September\u00a02023KON TAKT 23, an interdisciplinary project exploring collaborative painting and its commonalities with music.<\/p>\n<p style=\"font-weight: 400;\">\n<p>Video: Astrid \u00a0Bierschenk.<\/section>\n<section><\/section>\n<section><a href=\"https:\/\/acrobat.adobe.com\/link\/track?uri=urn:aaid:scds:US:75076223-90b4-353e-9077-4e03b83cc5e3\" target=\"_blank\" rel=\"noopener noreferrer\">More Info\u00a0<\/a><\/section>\n<p><iframe loading=\"lazy\" width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/wq202j0nDYA?si=J7xO8hQalCKnfJlq\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<h1>KON TAKT 23<\/h1>\n<section id=\"content\">Mainz, Germany<\/p>\n<p style=\"font-weight: 400;\">23- 24 September\u00a02023KON TAKT 23, an interdisciplinary project exploring collaborative painting and its commonalities with music,<\/p>\n<p style=\"font-weight: 400;\">Mainz, Germany with Alexander S\u00fcss \u00a0and <a style=\"color: #000000;\" href=\"https:\/\/voces-cantantes.de\/konzert\/kon-takt-23-musik-trifft-malerei\/\" target=\"_blank\" rel=\"noopener noreferrer\">Voces Cantantes<\/a>.<\/p>\n<p>Supported by\u00a0\u00a0bbk.rlp, \u00a0Stadt Mainz, Evangelische Kirche Weisenau, Boesner Mainz<\/p>\n<\/section>\n<section><\/section>\n<section><a href=\"https:\/\/acrobat.adobe.com\/link\/track?uri=urn:aaid:scds:US:75076223-90b4-353e-9077-4e03b83cc5e3\" target=\"_blank\" rel=\"noopener noreferrer\">More Info\u00a0<\/a><\/section>\n<p><a href=\"https:\/\/youtu.be\/kNV964xAjRw\" target=\"_blank\" rel=\"noopener noreferrer\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/mieves.info\/wp-content\/uploads\/2017\/09\/video.jpg\" alt=\"\" width=\"1834\" height=\"1036\" \/><\/a><\/p>\n<h1>Prometheus<\/h1>\n<section id=\"content\">The Customs House Gallery<br \/>\n20 March \u2013 22 May 2023<\/p>\n<p><i>Prometheus <\/i>continues the exploration of collaborative painting that The Customs House and Newcastle University Fine Art started through <i>Glaucus &amp; Scylla <\/i>(2022), this time beginning with the myth of Prometheus from Ovid\u2019s Metamorphosis.<\/p>\n<p><a href=\"https:\/\/www.customshouse.co.uk\/gallery\/previous-exhibitions\/prometheus\/?\" target=\"_blank\" rel=\"noopener noreferrer\">More Info\u00a0<\/a><\/p>\n<\/section>\n<blockquote data-instgrm-captioned data-instgrm-permalink=\"https:\/\/www.instagram.com\/p\/Ck52Hy2oSJ6\/?utm_source=ig_embed&amp;utm_campaign=loading\" data-instgrm-version=\"14\" style=\" background:#FFF; border:0; border-radius:3px; box-shadow:0 0 1px 0 rgba(0,0,0,0.5),0 1px 10px 0 rgba(0,0,0,0.15); margin: 1px; max-width:540px; min-width:326px; padding:0; width:99.375%; width:-webkit-calc(100% - 2px); width:calc(100% - 2px);\"><p>\n <a href=\"https:\/\/www.instagram.com\/p\/Ck52Hy2oSJ6\/?utm_source=ig_embed&amp;utm_campaign=loading\" style=\" background:#FFFFFF; line-height:0; padding:0 0; text-align:center; text-decoration:none; width:100%;\" target=\"_blank\"> <\/p>\n<p><svg width=\"50px\" height=\"50px\" viewBox=\"0 0 60 60\" version=\"1.1\" xmlns=\"https:\/\/www.w3.org\/2000\/svg\" xmlns:xlink=\"https:\/\/www.w3.org\/1999\/xlink\"><g stroke=\"none\" stroke-width=\"1\" fill=\"none\" fill-rule=\"evenodd\"><g transform=\"translate(-511.000000, -20.000000)\" fill=\"#000000\"><g><path d=\"M556.869,30.41 C554.814,30.41 553.148,32.076 553.148,34.131 C553.148,36.186 554.814,37.852 556.869,37.852 C558.924,37.852 560.59,36.186 560.59,34.131 C560.59,32.076 558.924,30.41 556.869,30.41 M541,60.657 C535.114,60.657 530.342,55.887 530.342,50 C530.342,44.114 535.114,39.342 541,39.342 C546.887,39.342 551.658,44.114 551.658,50 C551.658,55.887 546.887,60.657 541,60.657 M541,33.886 C532.1,33.886 524.886,41.1 524.886,50 C524.886,58.899 532.1,66.113 541,66.113 C549.9,66.113 557.115,58.899 557.115,50 C557.115,41.1 549.9,33.886 541,33.886 M565.378,62.101 C565.244,65.022 564.756,66.606 564.346,67.663 C563.803,69.06 563.154,70.057 562.106,71.106 C561.058,72.155 560.06,72.803 558.662,73.347 C557.607,73.757 556.021,74.244 553.102,74.378 C549.944,74.521 548.997,74.552 541,74.552 C533.003,74.552 532.056,74.521 528.898,74.378 C525.979,74.244 524.393,73.757 523.338,73.347 C521.94,72.803 520.942,72.155 519.894,71.106 C518.846,70.057 518.197,69.06 517.654,67.663 C517.244,66.606 516.755,65.022 516.623,62.101 C516.479,58.943 516.448,57.996 516.448,50 C516.448,42.003 516.479,41.056 516.623,37.899 C516.755,34.978 517.244,33.391 517.654,32.338 C518.197,30.938 518.846,29.942 519.894,28.894 C520.942,27.846 521.94,27.196 523.338,26.654 C524.393,26.244 525.979,25.756 528.898,25.623 C532.057,25.479 533.004,25.448 541,25.448 C548.997,25.448 549.943,25.479 553.102,25.623 C556.021,25.756 557.607,26.244 558.662,26.654 C560.06,27.196 561.058,27.846 562.106,28.894 C563.154,29.942 563.803,30.938 564.346,32.338 C564.756,33.391 565.244,34.978 565.378,37.899 C565.522,41.056 565.552,42.003 565.552,50 C565.552,57.996 565.522,58.943 565.378,62.101 M570.82,37.631 C570.674,34.438 570.167,32.258 569.425,30.349 C568.659,28.377 567.633,26.702 565.965,25.035 C564.297,23.368 562.623,22.342 560.652,21.575 C558.743,20.834 556.562,20.326 553.369,20.18 C550.169,20.033 549.148,20 541,20 C532.853,20 531.831,20.033 528.631,20.18 C525.438,20.326 523.257,20.834 521.349,21.575 C519.376,22.342 517.703,23.368 516.035,25.035 C514.368,26.702 513.342,28.377 512.574,30.349 C511.834,32.258 511.326,34.438 511.181,37.631 C511.035,40.831 511,41.851 511,50 C511,58.147 511.035,59.17 511.181,62.369 C511.326,65.562 511.834,67.743 512.574,69.651 C513.342,71.625 514.368,73.296 516.035,74.965 C517.703,76.634 519.376,77.658 521.349,78.425 C523.257,79.167 525.438,79.673 528.631,79.82 C531.831,79.965 532.853,80.001 541,80.001 C549.148,80.001 550.169,79.965 553.369,79.82 C556.562,79.673 558.743,79.167 560.652,78.425 C562.623,77.658 564.297,76.634 565.965,74.965 C567.633,73.296 568.659,71.625 569.425,69.651 C570.167,67.743 570.674,65.562 570.82,62.369 C570.966,59.17 571,58.147 571,50 C571,41.851 570.966,40.831 570.82,37.631\"><\/path><\/g><\/g><\/g><\/svg><br \/>\nView this post on Instagram<\/p>\n<p><\/a><\/p>\n<p style=\" color:#c9c8cd; font-family:Arial,sans-serif; font-size:14px; line-height:17px; margin-bottom:0; margin-top:8px; overflow:hidden; padding:8px 0 7px; text-align:center; text-overflow:ellipsis; white-space:nowrap;\"><a href=\"https:\/\/www.instagram.com\/p\/Ck52Hy2oSJ6\/?utm_source=ig_embed&amp;utm_campaign=loading\" style=\" color:#c9c8cd; font-family:Arial,sans-serif; font-size:14px; font-style:normal; font-weight:normal; line-height:17px; text-decoration:none;\" target=\"_blank\">A post shared by Christian Mieves (@christian_mieves)<\/a><\/p>\n<\/blockquote>\n<h1><strong>Before and After Teaching, thinking about the future art school.<\/strong><\/h1>\n<p style=\"font-weight: 400;\">10 and 11\u00a0Nov 2022<br \/>\n14-15 Windsor Terrace<br \/>\nNewcastle Fine Art,\u00a0PGR HUB Windsor Terrace<\/p>\n<p style=\"font-weight: 400;\">Art schools are increasingly fragmented, shaped by managerialism and division of services. Through the introduction of a range of\u00a0<em>Extra Curricular Activities<\/em>\u00a0(ECAs), Fine Art has successfully countered this trend and created a strong sense of belonging and a meaningful learning environment.\u00a0 Omitted from module evaluations, yet an essential part of the student educational experience, we suggest an urgent re-evaluation of Forums and Workshops. We aim to initiate a platform to review the potential of teaching approaches, outside prescribed modules and scheduled sessions.<\/p>\n<p><p><iframe loading=\"lazy\" width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/Fgr8_Kh-8jg\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen><\/iframe><\/p>\n<h2>GLAUCUS &amp; SCYLLA<\/h2>\n<h2>A Painting Project by Christian Mieves The Customs House Gallery,\u00a0South Shields<\/h2>\n<h2>21 April &#8211; 15 May 2022<\/h2>\n<p><p><a href=\"https:\/\/corridor8.co.uk\/article\/glaucus-and-scylla-a-collaborative-painting-project\/\" target=\"_blank\" rel=\"noopener noreferrer\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/mieves.info\/wp-content\/uploads\/2017\/09\/Screenshot-2022-small.jpg\" alt=\"\" width=\"900\" height=\"448\" \/><\/a><\/p>\n<p>23.06.2022 \u2014 <a href=\"https:\/\/corridor8.co.uk\/writing\/review\/\">Review<\/a><\/p>\n<h2>Glaucus and Scylla:<br \/>\nA Collaborative Painting Project<\/h2>\n<h2>The Customs House Gallery, South Shields<\/h2>\n<p>by Christie Yung-hei Chan<\/p>\n<h2><\/h2>\n<p><a href=\"https:\/\/www.customshouse.co.uk\/gallery\/previous-exhibitions\/glaucus-and-scylla\/\" target=\"_blank\" rel=\"noopener noreferrer\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/mieves.info\/wp-content\/uploads\/2017\/09\/Glaucus-and-Scylla-PosterSS-with-new-image-04.jpg\" alt=\"\" width=\"625\" height=\"884\" \/><\/a><\/p>\n<p>&nbsp;<\/p>\n<h2>GLAUCUS &amp; SCYLLA<\/h2>\n<h2>A Painting Project by Christian Mieves The Customs House Gallery,\u00a0South Shields<\/h2>\n<h2>21 April &#8211; 15 May 2022<\/h2>\n<p>Glaucus and Scylla centres upon the idea of transformation, drawing links to the Greek myth of Glaucus and Scylla, while simultaneously focusing on the fluid settings and shifting identities between humanity and nature. In the myth, fisherman Glaucus sees himself transformed into a sea god with fish-like features. Subsequently gaining immortality and bound to the sea, the former fisherman becomes a protector of sailors lost on the waters. The irony of Glaucus\u2019 identity later arises when he falls in love with the nymph Scylla, who is then transformed into a sea monster in the name of unrequited love, haunting the very fishermen Glaucus was duty-bound to protect.<\/p>\n<p>The exhibition references the seaside location of The Customs House, including the overlap of its changing historical roles \u2014 from Merchant Navy building to morgue. It works as a space that crosses this transformational barrier, intrinsically linked to both the sea and the land, acting as a periphery of constant change.<\/p>\n<p>The exhibition was created as a collaborative e\ufb00ort between Christian Mieves, students from Newcastle University and volunteers from The Customs House\u2019s artistic community. Taking place over a three-week period, this process allowed visitors the chance to observe the behind-the-scenes changes happening in real-time.<\/p>\n<p>This project has been supported by funding from Newcastle University and the Garfield Weston Fund.<\/p>\n<p><iframe loading=\"lazy\" style=\"border: 1px solid #777;\" src=\"https:\/\/indd.adobe.com\/view\/2ecc1688-2543-4ed9-8f67-3174df26308e?startpage=1&amp;allowFullscreen=true\" width=\"650px\" height=\"460px\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<h3>Painting Landscapes<\/h3>\n<p>2020- present<\/p>\n<p><iframe loading=\"lazy\" style=\"border: 1px solid #777;\" src=\"https:\/\/indd.adobe.com\/embed\/d3fb955d-a6b6-48d7-a0f5-16e1dcfac9ff?startpage=1&amp;allowFullscreen=true\" width=\"650px\" height=\"460px\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<h3>Recent Figurative Work<\/h3>\n<p>2020- present<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/mieves.info\/wp-content\/uploads\/2019\/05\/Screenshot-2021-02-22-at-02.41.47.jpg\" alt=\"\" width=\"1032\" height=\"1464\" \/><\/p>\n<p><strong><em>Chairs<\/em><\/strong>, Christian Mieves, Paintings 2015-2020<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/mieves.info\/wp-content\/uploads\/2019\/05\/IMG_0471news.jpg\" alt=\"\" width=\"1500\" height=\"1125\" \/><\/p>\n<p><em>Please click on the images above.<\/em><\/p>\n<h2>New:<br \/>\nSee the catalogues of recent paintings:<\/h2>\n<p>Mark-making in the recent paintings\u00a0is not an index of expression, where the traces of paint are irrevocably tied to the artist\u2019s sensations. Instead, the registration of the mark, and its emphasis upon material facture, explicitly foregrounds the contingency of the image. The continual adjustments and elisions of the surface create the sense of an image perpetually in flux. [&#8230;]<\/p>\n<p><a href=\"https:\/\/blogs.ncl.ac.uk\/faworkshops\/news\/\" target=\"_blank\" rel=\"noopener noreferrer\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/mieves.info\/wp-content\/uploads\/2018\/12\/Whole_group_2.jpg\" alt=\"\" width=\"1055\" height=\"639\" \/><\/a><\/p>\n<p><em>Dec 2020<\/em><\/p>\n<h2>Dirty Practice:<br \/>\nMake-shift studio\u00a0from home<\/h2>\n<h2><strong>4 Dec 2020, 12- 6 PM\u00a0\u00a0<\/strong><\/h2>\n<p>The omnipresence of\u00a0<em>homeworking<\/em>\u00a0has become one of the key features of life in recent months as a consequence of the pandemic. Artists work in makeshift studio spaces at home whilst cooking the tea, caring for family or being confined to a bedroom where they eat, sleep, socialise and ostensibly work \u2013 in this context questions of the studio space and practices needs to be reviewed.<\/p>\n<p>As part of this Dirty Practice event we continue to focus on close interconnections between practices, art education and space.\u00a0\u00a0We wish to ask to what extend the new situation impacts on opportunities to build communities, give a sense of belonging and allows for the appearance of digital\u00a0\u2018messy spaces\u2019.<\/p>\n<p>For more details\u00a0see <a href=\"https:\/\/blogs.ncl.ac.uk\/faworkshops\/news\/\" target=\"_blank\" rel=\"noopener noreferrer\">link<\/a><\/p>\n<p><a href=\"https:\/\/indd.adobe.com\/view\/27ce155e-bc60-4e68-b5ed-bf5f53f40e45\" target=\"_blank\" rel=\"noopener noreferrer\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/mieves.info\/wp-content\/uploads\/2017\/09\/Screenshot-2022-10-07-at-19.25.29.png\" alt=\"\" width=\"989\" height=\"700\" \/><\/a><\/p>\n<p>Christian Mieves<\/p>\n<h2>Drawings 2020-22<br \/>\n<a href=\"https:\/\/indd.adobe.com\/view\/27ce155e-bc60-4e68-b5ed-bf5f53f40e45\" target=\"_blank\" rel=\"noopener noreferrer\">Travel Sketch Books<\/a><\/h2>\n<p>&nbsp;<\/p>\n<p><iframe loading=\"lazy\" width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/XXCLfkAnuOs\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen><\/iframe><\/p>\n<p><em>September 2020<\/em><\/p>\n<h2><em>Wet Paint<br \/>\n<\/em>Painting Workshop<\/h2>\n<p>Outside here understood as outdoors, as well as outside certain norms and restrictions and how the two sides might overlap.<\/p>\n<p>Revisiting established forms of\u00a0\u00a0plein-air or landscape painting,\u00a0\u00a0we will discuss the advantages and opportunities of working outside and responding to the surrounding in a very immediate way. This\u00a0\u00a0raises questions not only of ways of representing spaces (while being in the space) , yet also painting practices and social forms of painting (including working together in a socially distanced way in an outside space).<\/p>\n<p>In the first session we will discuss ideas such as represention of\u00a0\u00a0spaces, the idea of \u2018alla prima\u2019 painting and the differences between painting in the studio and outside.<\/p>\n<p><a href=\"http:\/\/mieves.info\/wp-content\/uploads\/2017\/09\/Christian-Mieves-A5_flyer_end.pdf\" target=\"_blank\" rel=\"noopener noreferrer\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/mieves.info\/wp-content\/uploads\/2017\/09\/Christian-Mieves-A5_flyer_end-1web.jpg\" alt=\"\" width=\"500\" height=\"709\" \/><\/a><\/p>\n<h2>Exhibition,\u00a0Crown Street Art Gallery, Darlington<br \/>\nNo in-between<br \/>\nTuesday 22 &#8211; Wednesday 30 October 2019<\/h2>\n<p>The exhibition explores the idea of erosion, collapse, constant change imposed on everyday objects and environments. The paintings in this exhibition deal with a slippery setting, endless ambiguities and its productive potential. In this instability bodies seem to dissolve and images to disintegrate, leaving the viewer with a sense of \u2018no pauses, no in-between\u2019. Spaces and objects are bound to collapse, yet simultaneously something new emerges.<\/p>\n<p><strong>In Conversation\/ Vernissage:<br \/>\n<\/strong>Christian Mieves in conversation with Matthew Hearn.<br \/>\nCrown Street Art Gallery, Darlington Library,\u00a0<strong>Thursday 24 OCT\u00a02019<\/strong>,\u00a0(Doors open 6.00pm, starts 6.30pm)<\/p>\n<p><a href=\"https:\/\/www.conversationsinpainting.co.uk\/programme\" target=\"_blank\" rel=\"noopener noreferrer\">Further Information<\/a><\/p>\n<p><a href=\"https:\/\/www.paper-gallery.co.uk\/christian-mieves-letterlitter\" target=\"_blank\" rel=\"noopener noreferrer\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/mieves.info\/wp-content\/uploads\/2017\/09\/PAPER2-Christian-Mievess.jpg\" alt=\"\" width=\"1728\" height=\"2398\" \/><\/a><\/p>\n<h3>Exhibition<\/h3>\n<h2>Paper Gallery, Manchester.<\/h2>\n<p>with Brendan Fletcher<\/p>\n<p>28\u00a0September &#8211; 9 November\u00a02019<\/p>\n<h3>Private View: Thursday 26 Sept 2019, 6-9 PM.<\/h3>\n<p>PAPER<br \/>\nUnit 12<br \/>\nMirabel Studios<br \/>\n14-20 Mirabel Street<br \/>\nManchester<br \/>\nM3 1PJ<\/p>\n<p>&nbsp;<\/p>\n<p><a href=\"https:\/\/paper-gallery.co.uk\/christian-mieves-letterlitter\" target=\"_blank\" rel=\"noopener noreferrer\">See Details<\/a><\/p>\n<p><a href=\"https:\/\/intellectdiscover.com\/content\/journals\/10.1386\/jcp.4.2.285_1\" target=\"_blank\" rel=\"noopener noreferrer\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/mieves.info\/wp-content\/uploads\/2017\/09\/Screen-Shot-2018-05-30-at-23.19.51.png\" alt=\"\" width=\"987\" height=\"698\" \/><\/a><\/p>\n<p>Journal of Contemporary Painting<\/p>\n<h2>Interview with American Artist<br \/>\nDavid Schutter<\/h2>\n<p>In this conversation American painter David Schutter and the author discuss key aspects of Schutter\u2019s work. Schutter (born 1974), whose work makes reference to major European painting collections, explores in his work the relation to tradition and repetition of artistic conventions. His work, presented at \u2018Documenta 14\u2019 (2017), often employs strategies of radical limitation of the colour scheme, and restriction of visibility, sometimes blackening out the image plane altogether.<\/p>\n<p><a href=\"https:\/\/intellectdiscover.com\/content\/journals\/10.1386\/jcp.4.2.285_1\" target=\"_blank\" rel=\"noopener noreferrer\">More info<\/a><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/mieves.info\/wp-content\/uploads\/2018\/04\/BePoet_postcard_web-1024x722.jpg\" alt=\"\" width=\"625\" height=\"441\" \/><\/p>\n<p>Exhibition<\/p>\n<h2><em>Landfill<\/em><br \/>\n 21 April &#8211; 25 Mai 2018<br \/>\nBePoet, Frankfurt, Germany<br \/>\nLangenhainerstr. 26 \/ Ecke Idsteinerstr.<br \/>\n60326 Frankfurt am Main<br \/>\n<a style=\"color: #000000;\" href=\"http:\/\/www.bepoet.de\" target=\"_blank\" rel=\"noopener noreferrer\">http:\/\/www.bepoet.de<\/a><\/h2>\n<p>Die hier gezeigte Auswahl von Arbeiten zeigt \u00d6l Malerei auf Blechdosen (Coke, Bier, Soft Drinks etc.). Die Dosen im Laufe der Jahre aus den meisten Stadtbildern in Deutschland verschwunden, in England (aufgrund eines fehlendend Pfand Systems) noch sehr pr\u00e4sent,\u00a0\u00a0 \u00a0zeigen die Bilder \u00a0\u201eLandschaften\u2019 , die wie die Blechdosen selbst, oft \u00fcbersehen und kurzlebig sind. Kurze fl\u00fcchtige Skizzen von scheinbar unbedeutende Kompositionen.<\/p>\n<h2>\u00a0<\/h2>\n<p><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/mieves.info\/wp-content\/uploads\/2018\/02\/IMG_4643.jpg\" alt=\"\" width=\"2048\" height=\"1152\" \/><\/p>\n<h3>Artist Talk<\/h3>\n<h2><strong>Panel Discussion:\u00a0<\/strong><strong>Object Relations<\/strong><\/h2>\n<p><strong>1 Feb 2018, 2 PM<\/strong><\/p>\n<p>Andrew Bracey,\u00a0Euripides\u00a0Altintzoglou, Christian Mieves<\/p>\n<div id=\"attachment_81\" style=\"width: 574px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-81\" src=\"http:\/\/mieves.info\/wp-content\/uploads\/2017\/05\/22016s-564x1024.jpg\" alt=\"\" width=\"564\" height=\"1024\" \/><p id=\"caption-attachment-81\" class=\"wp-caption-text\">N.T., 2015, oil on canvas, 180 x 120 cm<\/p><\/div>\n<p>Exhibition<\/p>\n<h2><strong>Object Relations:<br \/>\nNuneaton Museum and Art Gallery, Nuneaton<\/strong><\/h2>\n<p><strong>Sat\u00a0Dec 23, 2017 to Sun, Feb 11, 2018,\u00a0<\/strong><br \/>\nPhotographs and paintings of everyday objects are displayed alongside each other in this exciting 2-person show. Artists Christian Mieves and Euripides Altintzoglou present a body of work which plays with ideas of uncertainty and surprise. The images exhibited show objects which should be familiar to the viewer, yet they are depicted in a way which makes the items less easy to understand and recognise. Does this show make you think differently about the way objects are usually represented in pictures? Are you mostly looking at the object or at the image? What do these images say to you?<\/p>\n<p><a href=\"https:\/\/whichmuseum.com\/england\/nuneaton\/nuneaton-museum-and-art-gallery\/exhibitions\/object-relations-images-in-photography-and-painting\" target=\"_blank\" rel=\"noopener noreferrer\">More Info<\/a><\/p>\n<p><a href=\"https:\/\/www.nuneatonandbedworth.gov.uk\/info\/20038\/museum_and_art_gallery\/160\/museum_and_art_gallery\/2\" target=\"_blank\" rel=\"noopener noreferrer\">Nuneaton Museum\u00a0<\/a><\/p>\n<p><a href=\"https:\/\/www.youtube.com\/watch?v=mAAKOUkXVYc\" target=\"_blank\" rel=\"noopener noreferrer\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/mieves.info\/wp-content\/uploads\/2017\/12\/PicExpoPeng-1024x564.jpg\" alt=\"\" width=\"625\" height=\"344\" \/><\/a><\/p>\n<p>Exhibition<br \/>\n<strong>Abstrakter Gegenstand:\u00a0<\/strong><strong>Neue Malerei von Christian Mieves<\/strong><strong><br \/>\n<\/strong><strong>7 &#8211; 13 Oktober 2017,\u00a0<\/strong><strong>Vernissage: Freitag 6 Oktober 2017, 18-21 Uhr<\/strong><\/p>\n<p>Documentation by Wolfgang Schallon of the Vernissage of the Exhibition\u00a0Abstrakter Gegenstand &#8211;\u00a0Neue Malerei von Christian Mieves<br \/>\nFreitag 6 Oktober 2017, 18-21 Uhr at PENG Mainz<\/p>\n<p>PENG | Gesellschaft zur F\u00f6rderung von Design, Kunst und Kommunikation e.V. Mainz,\u00a0Weisenauer Stra\u00dfe 15, Mainz, Deutschland, 55131 Mainz;\u00a0<\/p>\n<p>\t\t\t\t<a href=\"http:\/\/www.bankley.org.uk\/gallery-events\" target=\"_blank\" itemprop=\"url\"><br \/>\n\t\t\t\t<img decoding=\"async\" src=\"http:\/\/mieves.info\/wp-content\/uploads\/2017\/09\/image-Bankley-212x300.png\" alt=\"image Bankley\" itemprop=\"image\"  \/><br \/>\n\t\t\t\t<\/a><\/p>\n<h2>Bankley Open Call &amp; Open Studios 2017<\/h2>\n<p>Private View: \u00a0Fri 6th October 2017, 6-9pm<\/p>\n<p>Exhibition continues 6th \u2013 28th October 2017<br \/>\nOpen 7th, 8th, 14th, 21st &amp; 28th October 12-4pm<\/p>\n<p><strong>Bankley Studios &amp; Gallery<\/strong><br \/>\nBankley Street,\u00a0Levenshulme<br \/>\nManchester,\u00a0M19 3PP<\/p>\n<p>\t\t\t\t<a href=\"https:\/\/www.routledge.com\/Wonder-in-Contemporary-Artistic-Practice\/Mieves-Brown\/p\/book\/9781138855816\" target=\"_self\" itemprop=\"url\"><br \/>\n\t\t\t\t<img decoding=\"async\" src=\"http:\/\/mieves.info\/wp-content\/uploads\/2017\/05\/9781138855816-1-198x300.jpg\" alt=\"9781138855816-1\" itemprop=\"image\"  \/><br \/>\n\t\t\t\t<\/a><\/p>\n<h2>Publication<br \/>\nWonder in Contemporary Artistic Practice<\/h2>\n<p>Edited by Christian Mieves, Irene Brown<br \/>\n2017 \u2013 Routledge<\/p>\n<p>308 pages | 8 Color Illus. | 32 B\/W Illus.<\/p>\n<p>\t\t\t\t<a href=\"http:\/\/www.summerlodge.org\/\" target=\"_blank\" itemprop=\"url\"><br \/>\n\t\t\t\t<img decoding=\"async\" src=\"http:\/\/mieves.info\/wp-content\/uploads\/2017\/05\/Nottingham.jpg\" alt=\"Nottingham\" itemprop=\"image\"  \/><br \/>\n\t\t\t\t<\/a><br \/>\n\t\t\t\t<img decoding=\"async\" src=\"http:\/\/mieves.info\/wp-content\/uploads\/2017\/05\/IMG_2784.JPG.jpeg\" alt=\"IMG_2784.JPG\" itemprop=\"image\"  \/><\/p>\n<h2>\u00a0Summer Lodge 2017, NTU Nottingham<\/h2>\n<p>3<sup>rd<\/sup>\u00a0July\u2013 14<sup>th<\/sup>July 2017, Nottingham.For ten days each July, the Fine Art studios and workshops of Nottingham Trent University are transformed into The Summer Lodge and play host to a gathering of thirty diverse artists. It is intended as an opportunity to think through making by being able to work for a while without many of the usual constraints and distractions.\u00a0<a href=\"http:\/\/www.summerlodge.org\/\" target=\"_blank\" rel=\"noopener noreferrer\">\u00a0Summer Lodge 2017<\/a><\/p>\n<p>\t\t\t\t<img decoding=\"async\" src=\"http:\/\/mieves.info\/wp-content\/uploads\/2017\/05\/IMG_2712.JPG.jpeg\" alt=\"IMG_2712.JPG\" itemprop=\"image\"  \/><br \/>\n\t\t\t\t<a href=\"http:\/\/thenewbridgeproject.com\" target=\"_blank\" itemprop=\"url\"><br \/>\n\t\t\t\t<img decoding=\"async\" src=\"http:\/\/mieves.info\/wp-content\/uploads\/2017\/09\/studio2017newbridge2.jpg\" alt=\"studio2017newbridge2\" itemprop=\"image\"  \/><br \/>\n\t\t\t\t<\/a><\/p>\n<h2><\/h2>\n<p>New Bridge Project Studio Newcastle<\/p>\n<p>August-September 2017<\/p>\n<p>\t\t\t\t<a href=\"https:\/\/www.amazon.co.uk\/Teaching-Painting-How-Taught-Schools\/dp\/1911164104\" target=\"_blank\" itemprop=\"url\"><br \/>\n\t\t\t\t<img decoding=\"async\" src=\"http:\/\/mieves.info\/wp-content\/uploads\/2017\/05\/TeachingPainting_cover_front_large-254x300.jpg\" alt=\"TeachingPainting_cover_front_large\" itemprop=\"image\"  \/><br \/>\n\t\t\t\t<\/a><\/p>\n<h2>Dirty Practice: A Painting Workshop and the Hidden Curriculum<\/h2>\n<p>Christian Mieves and Maggie Ayliffe, \u2018Dirty Practice: A Painting Workshop and the Hidden Curriculum\u2019 in Ian Hartshorne, Donal Moloney, Magnus Quaife (eds) <em>Teaching Painting, <\/em>Black Dog. (ISBN: 978-1911164104)<\/p>\n<p>&nbsp;<\/p>\n<p>\t\t\t\t<a href=\"https:\/\/www.eagle-works.com\/gallery\/\" target=\"_blank\" itemprop=\"url\"><br \/>\n\t\t\t\t<img decoding=\"async\" src=\"http:\/\/mieves.info\/wp-content\/uploads\/2017\/05\/Poster-Eagle-Worksxs2-212x300.jpg\" alt=\"Poster-Eagle-Worksxs2\" itemprop=\"image\"  \/><br \/>\n\t\t\t\t<\/a><\/p>\n<h2>Exhibition<br \/>\nRecent Paintings\/\u00a0Christian Mieves<\/h2>\n<p>Eagle Works Gallery<br \/>\nAlexandra Street, Wolverhampton,<br \/>\nWV3 0TE<\/p>\n<p>https:\/\/www.eagle-works.com\/gallery\/<\/p>\n<p>28 April \u2013 7 May 2017<br \/>\n<strong>Viewing by appointment<\/strong><br \/>\nPrivate view: Thursday 27 April 2017, 6:30-9.00 PM<\/p>\n<p>\t\t\t\t<a href=\"http:\/\/fineartwolverhampton.co.uk\/dirtypractice\/\" target=\"_blank\" itemprop=\"url\"><br \/>\n\t\t\t\t<img decoding=\"async\" src=\"http:\/\/mieves.info\/wp-content\/uploads\/2017\/09\/Dirty-Practice-Postcardends-742x1024.jpg\" alt=\"Adobe Photoshop PDF\" itemprop=\"image\"  \/><br \/>\n\t\t\t\t<\/a><\/p>\n<h2>Dirty Practice: The Role of the Artist\u2019s Studio<br \/>\nResearch Project \u00a02015- present<\/h2>\n<p>This initiative sets out to explore critically the current artistic framework where manual skills and studio based practices are increasingly denigrated in favour of conceptual or socially engaged art practices. This is partly mirrored in the educational structures (and spaces) found in the new HEI environment where Fine Art departments are increasingly relocated into non-purpose-built, inadequate office type spaces without workshop support. <a href=\"http:\/\/fineartwolverhampton.co.uk\/dirtypractice\/\" target=\"_blank\" rel=\"noopener noreferrer\">More<\/a><\/p>\n<p>&nbsp;<\/p>\n<p>\t\t\t\t<a href=\"https:\/\/www.routledge.com\/Wonder-in-Contemporary-Artistic-Practice\/Mieves-Brown\/p\/book\/9781138855816\" target=\"_self\" itemprop=\"url\"><br \/>\n\t\t\t\t<img decoding=\"async\" src=\"http:\/\/mieves.info\/wp-content\/uploads\/2017\/05\/Screen-Shot-2017-05-12-at-15.35.05.png\" alt=\"Screen Shot 2017-05-12 at 15.35.05\" itemprop=\"image\"  \/><br \/>\n\t\t\t\t<\/a><\/p>\n<h2><strong>Erosion and Illegibility of Images<br \/>\n<\/strong>One-day Symposium<br \/>\nFriday 31 Oct 2014<\/h2>\n<p>The New Art Gallery Walsall<\/p>\n<p>\t\t\t\t<a href=\"https:\/\/issuu.com\/mieves\/docs\/entwurfbroschureends\" target=\"_self\" itemprop=\"url\"><br \/>\n\t\t\t\t<img decoding=\"async\" src=\"http:\/\/mieves.info\/wp-content\/uploads\/2017\/05\/A2-2-829x1024.jpg\" alt=\"102, 2013, 41 x 33 cm, Oil on canvas\" itemprop=\"image\"  \/><br \/>\n\t\t\t\t<\/a><\/p>\n<h2><\/h2>\n<h2><strong>Exhibition<\/strong><\/h2>\n<p>Zehn Jahre Sp\u00e4ter. Exhibition 2013-14, Rathaus Mainz, Germany<\/p>\n<p><a href=\"https:\/\/issuu.com\/mieves\/docs\/entwurfbroschureends\" target=\"_blank\" rel=\"noopener noreferrer\">https:\/\/issuu.com\/mieves\/docs\/entwurfbroschureends<\/a><\/p>\n<p>&nbsp;<\/p>\n<p>\t\t\t\t<a href=\"https:\/\/www.turpsbanana.com\/issue-14\" target=\"_blank\" itemprop=\"url\"><br \/>\n\t\t\t\t<img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/mieves.info\/wp-content\/uploads\/2017\/05\/Screen-Shot-2017-05-08-at-00.09.04.png\" alt=\"Screen Shot 2017-05-08 at 00.09.04\" itemprop=\"image\" height=\"413\" width=\"702\"  \/><br \/>\n\t\t\t\t<\/a><\/p>\n<h2>Turps Banana<br \/>\nPainting Magazine<\/h2>\n<p>Issue #14 Out 24th July 2014<\/p>\n<p>Christian Mieves interviews Dana Schutz \u2013<\/p>\n<p><a href=\"https:\/\/www.turpsbanana.com\/issue-14\" target=\"_blank\" rel=\"noopener noreferrer\">See more at:Turps Banana<\/a><\/p>\n<p>&nbsp;<\/p>\n<p>\t\t\t\t<a href=\"http:\/\/www.tandfonline.com\/toc\/rjvp20\/9\/3#.UvUxzKWE4ZY\" target=\"_blank\" itemprop=\"url\"><br \/>\n\t\t\t\t<img decoding=\"async\" src=\"http:\/\/mieves.info\/wp-content\/uploads\/2017\/09\/postcard-endweb-1024x721.jpg\" alt=\"postcard-endweb\" itemprop=\"image\"  \/><br \/>\n\t\t\t\t<\/a><\/p>\n<h1>Revisiting the Beach<\/h1>\n<p><a href=\"http:\/\/www.tandfonline.com\/toc\/rjvp20\/9\/3#.UvUxzKWE4ZY\" target=\"_blank\" rel=\"noopener noreferrer\">Journal of Visual Art Practice Vol 9 (3)<\/a>, 2010<\/p>\n<p>Philippe Cygan &amp; Christian Mieves<\/p>\n<p><a href=\"http:\/\/www.tandfonline.com\/toc\/rjvp20\/9\/3#.UvUxzKWE4ZY\" target=\"_blank\" rel=\"noopener noreferrer\">Spezial Issue<\/a> in connection with\u00a0a symposium and exhibition.<\/p>\n<p>Participants: \u00a0Richard Forster,\u00a0Joana Duarte Bernardes,\u00a0Jane Darke,\u00a0John Fox,\u00a0Peter Burleigh &amp; Sophie Jung,\u00a0Cath Keay,<br \/>\nJudith Tucker,\u00a0Christian Mieves.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>PainterWriter Oceans Apart curated by Andrew Bracey and\u00a0Jenny Eden 12\/09\/26- 3\/10\/26 Private View\u00a011.09.26 6-8 PM 24-26 King Street,\u00a0Greengate,\u00a0Salford,\u00a0M3 7DG Finissage: 2026\u00a0\u00dcberall ist Mitte\u00a0 25 Juli 2026, 15-18 Uhr. Ausstellung \/ Exhibition\u00a0Museum Schlosspark, Bad Kreuznach. Museum Schlosspark,\u00a0Dessauerstra\u00dfe 49, 55545 Bad Kreuznach More info The Gloaming Plane 12.06-12.07.2026 35 Blumen, Krefeld, Germany\u00a0 Curated by Joshua Uvighara. Zum [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":2,"comment_status":"closed","ping_status":"closed","template":"page-templates\/full-width.php","meta":{"footnotes":""},"class_list":["post-283","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/mieves.info\/index.php?rest_route=\/wp\/v2\/pages\/283","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/mieves.info\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/mieves.info\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/mieves.info\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/mieves.info\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=283"}],"version-history":[{"count":145,"href":"https:\/\/mieves.info\/index.php?rest_route=\/wp\/v2\/pages\/283\/revisions"}],"predecessor-version":[{"id":1229,"href":"https:\/\/mieves.info\/index.php?rest_route=\/wp\/v2\/pages\/283\/revisions\/1229"}],"wp:attachment":[{"href":"https:\/\/mieves.info\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=283"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}